A few months ago a friend gave me a spot for social networks that claimed gay marriage rights. That announcement, excellently filmed with a subjective camera and you can see on YouTube, had the "plus" to have an underlying theme that exploited the maximum sensitivity of the viewer. And it is difficult to speak of 'Last Night I Heard Everything In Slow Motion' without remarking minimalist nuances that transform sound into chispeos that cross the border of sound, becoming a moist environment that can be felt, and even inhaled through our keen sense of smell.
This premise is what appears ultrasensorial so omnipresent in all compositions of Oliver Tank, a young man from Sydney who at only 22 years consiguiño engender in 2011 one of the most unforgettable EPS of the last two years. Because with very few elements Tank is able to build in "Dreams" a sea of sensations, where the waves crash gently against your body, invading and possessing. From the cold all night which is shown in 'Embrace' up to 'The Last Time' approaching dream folk records and Bon Iver, Tank's own words, is about "trying to pull out a relationship someone with everything slowly comes down. "Listen to the album below:
Oliver Tank recently took an intervention via Facebook to announce he would have new music soon. If we take for LP is a guaranteed success. And I speak not just commercial success, no. I speak of the success of our senses, the sensory teleportation to a world of aromatic scents, spongy and visual flashes. So complex is the fabulous world of Oliver Tank.
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