Listen to 'Learn Me Right', the theme of Mumford & Sons and Birdy to "Brave"

"Brave" Pixar is not getting the critical recognition of previous productions of the great film company. Binaural Even so since we can not wait to see the film and also listen to the cinemas theme 'Learn It Right' which has united two great British music: the folk Mumford & Sons and the ever Birdy delicate. If you do not want to wait until August 17, the day that the film will come to our room, here you have the chance to hear this new song and juicy.

The fragile voice of Jasmine van den Bogaerde is carried away in 'Learn Me Right "by the most dynamically paths folkies the musical entourage of Marcus Mumford. The result produced this curious combination is commendable, and seeing that preserves the essence of the great mythic themes that some artists have composed for the films of Pixar.

The movie "Grassroots" unveil unreleased tracks from Layne Staley

Layne Staley fans should be happy with this news, the movie "Grassroots" which was directed by Stephen Gyllenhaal and to be released on 22 June, have two totally original themes of the late singer of Alice In Chains. This surprising news has caught us off guard, especially knowing that we wore over our heads in the reunification of Mad Season to discover more new material in the band's frontman remembered in Seattle.

The plot will focus on the figure of Phil Campbell, a renowned music critic who one day decides to opt for another one of the most important political office in the city of Seattle. Jason Biggs (Jim from American Pie series), Cedric The Entertainer (Boyz N the Hood), Cobie Smulders (Robin from How I Met Your Mother), Tom Arnols (True Lies) or Lauren Ambrose (Six Feet Underground) are some of the key players in this highly anticipated film.

While we wait for release "Grassroots" Here's the latest trailer we found on the net.The thing looks really good! To see how these pieces eventually end up sounding Layne forgotten.

Free and very very good: Avant-Prog from Italy by NichelOdeon - # musicmonday No. 21

NichelOdeon - NO is one of the most encouraging signs in the Italian avant-garde scene. True to the motto "It is born and it does not ask for your money, it asks for your attention," asks the band to the exceptional singer Claudio Milano to the attention of the avant-interested listeners - and free (as free downloads) are to hear their new live album, "NO" (5 tracks, 30 minutes running time).

# musicmondayNO NichelOdeon presented with a surprisingly direct, electric sound, which is the compositional highlights of the band combines an energetic, passionate live recording. Unlike the band's studio albums, there are no strings, no horns and no exotic instruments, instead, an (almost classic) rock instrumentation with drums, bass, guitar, saxophone and keyboards - and of course Milan's impressive voice. Called it rock Praggressive Milan - and in fact, so wild, so direct, so aggressive NichelOdeon never sounded:

NichelOdeon prove themselves worthy heirs of the Italian prog tradition of bands like Area, "NO" is impressive live document and an excellent introduction to the ever changing, evolving world of sound NichelOdeons. Not for everyone, but for open-minded listeners a real find.

Rihanna uncomfortable with the current figure

Rihanna said the singer is dissatisfied with the physicist who currently have, so you want to win a couple of sizes and have your "old" back.

This was stated by the singer of hits like Umbrella and We Found Love told the publication "Us Weekly". Various means have been commissioned to note that the stress and heavy workload of the singer are responsible for the size 0 to look.

"I wear a size 0 and I'm not happy about it. I've gone too far and wanted to be more plump. I want my old ass back "were the words with which the native of Barbados who has expressed displeasure with the current figure.

The singer, who works in what will be his new album, the seventh of his career in music, has repeatedly been considered by several publications in the celebrities who attract the most attention for their physical, supplementing with sexy dress.

Size of the loss he has suffered, the singer admitted that working together with the activities carried out in daily life have been the reasons for not having the same "back" before, and referred to the agenda as a "total madness".

Organization - the colorful side of power plant

If you think that Kraftwerk were 'only' co-founder of the House and later techno will be surprised. Anyone who thinks that the famous sound came out of nowhere to rethink who should.
Despite the ongoing rediscovery and conservation of power plant as an audiovisual work of art - think here of the three Munich concerts in October last year and the eight MoMA shows - the origins of the whole appear for example in the previous band organization even among supporters rather unimportant. Even Ralf Hütter as the last remaining founding member has his problems with his four early works Tone Float Kraftwerk, Kraftwerk 2 and Ralf & Florian. In "The Catalogue" he let the three Kraftwerk albums on the sidelines, was sold the whole thing yet as a "complete edition" or "retrospective"; most appropriate in terms of man-machine, the supposedly cool robot band with a sound that seemed to mature with highway . The limit was set at the transition from acoustic instruments to synthesizers - as if that instrument would have changed the fundamental approach to music. Finally, Hütter emphasized in an interview that a microphone is only a medium, which can be used in different ways - a commonplace, one would think. Nundenn let us lead the eye back to deeper insights.
End of the '60s began, the two students Ralf Hütter and Florian Schneider-Esleben her classical training tool for experimental and improvised music to use. 1970 resulted in the one album that would have at my discretion in any way that orchestrated or arranged to fail, a cast in the form jam session. The other musicians in the plate seem random, the occupation of the duo + x organization to achieve common musical conceptschanged constantly. So it was with the ungewöhnerlicherweise published in the UK LP Tone Float three artists who otherwise seem more of a footnote in music history: Butch Hauf and Fred Monicks Basil Hammoudi, who after all still a shot in his repertoire, Ibliss' supernova. This album is worth a look, even if it was published two years after Tone Float, and has created in terms of jazz-level, psychedelic krautrock little originary, after all, playing there with Andreas Hohmann, who was involved in power plant I, also here, too, was Conny Plank, the sound technician in the Studio. Pick out direct influence is of course close to the tea leaves, but it must keep in mind when listening to the organization and early Kraftwerk records.
But now to Tone Float, the colorful debut by Hütter and Schneider. Just Hütter, which always ruled on the image and work of art thoughtful head of the troupe dares to such a meandering album barely. It is rather an extensive Improvisorium, herbaceous in the best sense, music without a goal or plan. The pieces appear to be under the game to develop, are verses or choruses, it is not, rather the concept of subject and paraphrase. What a contrast to the late power plant!
The album takes ten minutes to get into the river. Previously chirping, drumming, it dingelt almost arrhythmic. Flute, organ, bongos and bass come together slowly, not later than three minutes, the sound is approachable, a jam session in a tropical night, a kind of creative sound check. After a brief moment of Verschnaufens in seven minutes it's time to rebuild, the climax, which ends around minute ten in that part of the song, one would perhaps best recognized as such. Only here there is a melody in the true sense, while previously dispensed with traditional elements of a song. Milk rock rises almost like a Madchestersong other hand, rumbling, doomy bass line later in Joy Division. Add to that a flute, how seldom you hear: Close to the crash, some more like a song with duct tape on his mouth. The first melody is always exposed in the present context, perhaps the "most classic" Song of organization.
Silver Forest, a piece of film rather than a song. Suspense, all instruments remain long in the background to the organ in the disturbing overtones fiepend moves into focus. Damn close to Pink Floyd. To quote from Man Machine and Music, page 24: "Later in 1975, Lester Bangs Hutter asked if Kraftwerk felt a debt to Pink Floyd. 'No', he replied, 'It's vice versa. They draw from French classicism and German electronic music. '"
Somehow, the album is typical of the psychedelic sound of those years, half the lineup of Woodstock used bongos, an organ was fashionable. The arrangements are derived in part from the jazz - as well Ibliss' supernova - that is a permanent variation of the motives of style. The percussion is sometimes wild, sometimes only a discreet sound patterns, especially in passages where silence is required, as with Noitasinagro, but also the song dissolves end up in chaotic pleasure, the subsequent discipline is not yet so pronounced. In a sense, one may then draw lines from organization to plant: producer Conrad Plank, the pylon as a band logo, Andreas Hohmann, Quick, Florian's flute as a quasi-synth, some already set up the use of silence and pause to stress. But one should recognize the cut after power plant II, away from the psychedelic Krautrock towards a new aesthetic.
In terms of pioneer life, I commend the enjoyment of the documentation linked below. Since there is profound and knowledgeable informants than me, but a set this: Hütter and Schneider were heavily influenced by a Cologne professor and composer of the early '50s synthetically generated sounds - that is not classical instrumentation or musique concrète - to create and use knew: Karlheinz Stockhausen. As an introduction for this purpose I recommend the following two interviews. One can therefore say that the power plant started in a particular medium synthesizer, characteristic way to take advantage of these experiments was not alone - even coming from Germany with Tangerine Dream and Can tough competition, especially in terms of pioneers. But this one other time more.

Placebo will play in Barcelona on July 29

No new album in sight but always Placebo Placebo. Such is the good impression he has given us always direct the group of Brian Molko is inevitable to feel some (nice) anxiety to hear that the makers of 'Running Up That Hill', 'Post Blue' or 'Meds' will be in concert in Barcelona on July 29. The live show will be held at Razzmatazz (not in the room next to the Sant Jordi, as in the previous occasion), and attention will teloneado by nationals, and always fabulous The Last 3 Lines.

The tickets have been offered for sale through the Ticketmaster network and LTI News and range from 30/35 euros.

DO NOT BELIEVE THE HYPE with self-taught in Monza Frankurt

Oh children, I can only say: What am I glad those days in February went to this party to be hung up where self-taught. Although I was actually pretty tired, unmotivated and quite apart from ...

The 10 remixes of the single media Gotye

The video for 'Somebody That I Used To Know' has reached the shocking figure of 234 million views on YouTube. Apparently there is no way to put the brakes Gotye, and knowing that the pop group has decided to launch on June 8 via iTunes Store a disc composed of 10 different remixes of the single that has catapulted to international stardom.

Tiesto, Dan Aux, Bibio or Sneaker Fox have been some of the artists who have embarked on the adventure of remixing this. We leave you with the audio of the best, including the amazing and wonderful version that have carved 4FRNT.A dance!.

Jennifer Lopez on stage - will soon be in the Olympic Hall in Munich

On 25/10/2012, a pop diva arrived in Munich in the Olympic Hall, as there are no second world: Jennifer Lopez goes for the first time in her illustrious career on tour in Germany. "Dance Again World Tour" is the name of the project, with J.Lo in just four German cities makes maintenance - in addition to Munich or Berlin, Hamburg and Oberhausen. Jennifer Lopez recently by Forbes magazine named the most influential star in show business. This is hardly surprising, because for over a decade, bewitched lady with the trademark 'big butt' their fans around the world.
Actress, singer, producer and a successful entrepreneur - Jennifer Lopez influenced a whole generation of pop-music fans. Not least with their current world's No. 1 hit "On The Floor", the most successful single of her entire music career. Now they have their greatest hits from over ten years of success to an explosive and exciting show put together. At 14.06. Jennifer Lopez will launch her "Dance Again World Tour" in Panama City. German fans have to wait until October. To the excitement, however, to make a little more exciting, J.Lo has recently announced that she will invite her fans on her website virtual backstage. Fans have the opportunity, special messages and greetings to see behind the scenes photos and special concert tickets to be won.
Jennifer Lopez has sold since its debut in 1999, well over 55 million albums and starred in several successful movies, including "The Monster-in-law" and "Wedding Planner". In 2001, the "Wedding Planner" one of the most popular films of the year, her album "J Lo" was No. 1 on the Billboard Top 200 chart. This was Jennifer Lopez, the first woman ever with a No. 1 movie, and a No. 1 album in the same week.
In Germany, the superstar was, however, never go on a tour. 2012 fans finally have the opportunity to experience first hand J.Lo. Who is Jennifer Lopez wants to get back home can do that too: we'll release their new single "Goin 'In" featuring Flo Rida.
Come and visit Jennifer Lopez's "Dance Again World Tour" on 25.10.2012 at the Olympiahalle in Munich. The team from Munich Blog wishes much fun.